By looking at the entire scene, V-Ray automatically determines the proper exposure and white balance in the way a modern camera would. For example, the Adaptive Dome Light (ADL) can produce more accurate environment lighting much faster than before.Īlso, familiar point-and-shoot-style photographic functions like Automatic Exposure and Automatic White Balance are now part of the V-Ray Physical Camera, which makes achieving a render similar to taking a snapshot. To avoid lengthy set-up times, V-Ray 5 for Cinema 4D comes with automatic scene analysis tools that will help artists produce faster, cleaner renders with no extra effort. Users can now combine and grade render passes, set blending modes and adjust colours without using separate compositing software.

Once the right results are achieved, artists can save their settings and parameters, send the layers to compositing and update the lights in their scenes retroactively.Ī new Layer Compositor will allow compositing renders directly in the VFB. Colour and light intensity can now be adjusted immediately in the new V-Ray Frame Buffer (VFB), without having to render again. Using Light Mix, artists can create a series of lighting scenarios from a single render. It also means that Chaos developers will be able to update the software at the same pace as the other V-Ray integrations. Chaos Group’s V-Ray 5 for Cinema 4D is a large scale upgrade that packages all developments from V-Ray 5 and V-Ray Next into one renderer, and includes built-in compositing, interactive light mixing and scene intelligence tools.

Vray 5 material library cinema 4d